Honky Tonk Man & Greg Valentine: Hair Betrayal, Broken Vows

The unlikely pairing of Honky Tonk Man and Greg Valentine as Rhythm and Blues emerged during a pivotal crossroads in both men’s careers – a last-ditch gambit to stay relevant in the WWF’s rapidly evolving landscape of the early 1990s. What began as a desperate survival tactic between two polar opposites would become one of wrestling’s most fascinating "what if" stories, laced with backstage politics, clashing egos, and a shocking visual twist that still divides fans decades later.

The tag team of Rhythm and Blues - Honky Tonk Man and Greg Valentine
The tag team of Rhythm and Blues, Honky Tonk Man and Greg Valentine

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The Unlikely Resurrection of Rhythm and Blues

The year was 1990, and the WWF’s tectonic plates were shifting. Larger-than-life gimmicks like The Ultimate Warrior and Macho King Randy Savage dominated the spotlight, leaving veterans like Honky Tonk Man and Greg "The Hammer" Valentine scrambling for relevance. Honky’s record-breaking Intercontinental Championship reign had faded into memory, while Valentine—a former tag champ with Brutus Beefcake—found himself adrift in a sea of neon spandex and face paint. What happened next would become one of wrestling’s most bizarre reinventions: a rock ‘n’ roll tag team held together by hair dye, desperation, and unkept promises.

A Last-Ditch Gamble

By 1989, both men were at a crossroads. "I was bored with my career," Valentine admitted, his frustration palpable even decades later.

Honky Tonk Man, ever the opportunist, saw a lifeline in the chaos, as he admitted in an Inside the Ropes interview. "The Rhythm and Blues thing was supposed to rejuvenate us." The concept? A rockabilly duo blending Honky’s Elvis swagger with Valentine’s bruising technical style. But the partnership nearly died before it began—not in the ring, but over a bottle of hair dye.

Valentine, the son of legendary tough guy Johnny Valentine, resisted the gimmick’s flashier elements.

"I’m a wrestler, not a clown," he protested when asked to dye his signature blond locks jet-black.

For months, manager Jimmy Hart hounded him, while Honky issued stark warnings: "If you don’t do this, Vince will fire both of us."

The stalemate broke only after Jesse Ventura whispered to Vince McMahon during a broadcast: "Imagine Valentine with black hair—it’d shock everyone."

Reluctantly, Valentine surrendered, later quipping, "Jimmy Hart chased me with that dye for a year."

The Birth of "Boxcar Willie"

The transformation was jarring. Gone was Valentine’s blond "Hammer" persona, replaced by a leather-clad rocker dubbed "Boxcar Willie" by announcer Gorilla Monsoon. Crowds buzzed at the sight, but Valentine seethed: "I hated it… but I committed."

Behind the scenes, tensions simmered. Honky thrived on crowd interaction and guitar-smashing antics; Valentine clung to his hard-nosed identity. "I tried to make everything believable in this gimmicky era," he confessed.

Their dynamic proved oddly compelling. At WrestleMania VI, they arrived in a pink Cadillac driven by Diamond Dallas Page, performing "Hunka Hunka Honky Love" until The Bushwhackers destroyed their guitars. The moment epitomized their appeal—equal parts spectacle and satire. Bruce Prichard, WWF’s creative force, praised the reinvention: "You took Greg, this one-dimensional guy, and shook him up with Honky. It was great."

Promises and Politics

Despite initial skepticism, Rhythm and Blues gained traction. They dominated house shows against The Hart Foundation, with Honky insisting, "We were in line for the belts." But backstage, their push collided with corporate machinations.

The 1990 signing of The Road Warriors—a tag team juggernaut—redirected WWF’s priorities. "They cut us off because of that," Valentine theorized, bitterness lingering in a 2019 Hannibal TV interview.

Creative disagreements exacerbated the rift. Honky accused Valentine of half-hearted effort: "Greg didn’t try to make it work." Valentine shot back, "They fired us because we didn’t kiss ***."

By early 1991, Honky abruptly left the WWF, scrapping plans for a feud between the partners. The breakup was as messy as their formation—a casualty of clashing egos and shifting corporate agendas.

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Indie Redemption and Legacy

Freed from WWF constraints, Rhythm and Blues found unexpected glory. Reuniting in 1991 on the indie circuit, they captured tag team gold in the Northern States Wrestling Alliance. Valentine, ever the pragmatist, reflected: "We gave them something to talk about."

Their post-WWF success underscored what might have been—a team whose chemistry thrived outside corporate confines.

Yet their legacy remains divisive. To purists, they symbolized wrestling’s slide into cartoonish excess. To others, they were pioneers navigating an industry in flux. As Prichard once noted, "Greg reinvented himself completely. That black hair? It made him." Even Valentine, once resistant, conceded: "I look back and laugh. We could’ve been champions."

The Last Laugh

Decades later, Rhythm and Blues linger in wrestling’s collective memory—a cautionary tale and cult curiosity. Their story mirrors the industry itself: a collision of tradition and spectacle, where reinvention is both salvation and surrender. Valentine’s dyed hair became a metaphor for wrestling’s identity crisis, while Honky’s showmanship foreshadowed the "sports entertainment" era.

As Honky Tonk Man once mused, "We were a one-hit wonder!" But in wrestling, sometimes one hit is enough.

Watch Rhythm & Blues’ memorable WrestleMania VI entrance:

YouTube video

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Matt Pender is an old-school wrestling fan who currently lives in New Zealand. He is also a musical performer with his band OdESSA who can be investigated at the link above.